Edited by Ann Rigney and Daniele Salerno

Contemporary repertoires of protest have been adapting to digitally-oriented media environments (Tilly 2006; Hoskins 2017; Treré 2018; Merrill, Keightley, and Daphi 2020), begging the question how they will be archived for the future. Since the global wave of protests against the murder of George Floyd in 2020, the […]